Mario d'Offizi

Mario d'Offizi is a Cape Town based writer and poet. He is also assistant editor of Sawubona magazine.

Mario's work has featured in many publications over the years and his writing - prose and poetry - has been critically acclaimed thanks to its unfailing honesty and the warmth of his poetic voice.



BLESS ME FATHER
"...a searing look at growing up on the other side of the tracks, around the bend and up the wall. I am not easily moved by memoirs, but d'Offizi's story left me reeling on more than one occasion." - Ben Trovato

"If you read no other African writer this decade, read this one...you'll laugh with him, cry with him, mourn with him, rejoice with him and ultimately triumph with him." - Leadership Magazine

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Banana Crates & Wire Mesh

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Banana Crates and Wire Mesh spans several decades and sheds Mario d'Offizi's unique and often brutally honest light on a wide range of subjects, from the taboo to the mundane. Mario published his first poetry at an early age, but Banana Crates and Wire Mesh is his first anthology - it's a book that brings a lifetime of observations on the minutiae of South African life to the fore.

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In the media...

Mario D'Offizi on the Victor Dlamini Literary Podcast
the tabloid
Thursday, 08 September 2011 10:33

Bless Me Father: Chapter 9

I think that my lifelong love for percussion and the drums grew from the ‘… clikety-clack… clikety-clack …’ rhythm of mainline trains, as I travelled home at least twice a year by train from Boys’ Town, for the holidays. I travelled either to my home in Bloemfoentein, where both my parents, though divorced since I was about ten, lived, separately, until I was about fourteen; or, in later years, to my mother in Cape Town or to my father on the South Coast of Natal. I travelled by train for most of my youth to and from schools and home, during my army days, and much, much later, into my forties and fifties. I have never learnt to drive.

 

‘Clikety-clack … clikety-clack …’ the sounds alternated between a low and a high pitch, making them not only mesmerising, but strangely melodious. It was like an incantation; but not as repetitive as a Latin Mass, and not nearly as monotonous. Nothing at all like the Kyrie, the dirge we choirboys used to sing at funerals, when I was at Nazareth House in Kimberley, before I was transferred to Boys’ Town. We choirboys and altar boys at Nazareth house used to do duty at the main cathedral in Kimberley from time to time, at baptisms, confirmations, weddings and funerals. We, the hired guns, usually performed these duties for complete strangers.

 

Nazareth House also served as an old-age home in those days, and so there were quite a few funerals in our own chapel. My nose will never lose the smell of incense. Nor will I ever lose the sight of open coffins displaying the faces of the dead, as I, with other boys, would stand at the head, foot, and sides of a coffin, ‘swinging the smoke’ as we called it.

 

The bells and smells. 'Clikety-clack … clikety-clack …'

 

I had just left Boy’s Town – a little prematurely – and was on my way to begin my life.

 

I was 18 years old and Christmas of 1968 was a few weeks away. I would enjoy the holidays, after which, in early January, I planned to get a job as quickly as possible. I had the princely sum of R10 on me, and a little brown suitcase containing all my possessions. At home though, I had R40 in the safe-keeping of my mother. Some of that money I had by then already planned to use to spoil my mother and sisters – who were also living with her. And, with at least the other half of the money, I would open a clothing account and buy a suit, shirt, tie, underwear and socks, and new shoes for my first interview. My mother said that it was possible to open an account, as she would stand as guarantor for me at the store where she had operated one for a few years. This clothing store, in Main Road, Wynberg, on the corner of Station Road and opposite Barclays Bank, was a family business, Rifkin & Miller. Their slogan, sign-written on the front doors and windows, and on a large sign above the front of the store, was, appropriately: From a needle to an anchor! You could buy almost anything there.

 

Earlier that year, while still at Boys’ Town, I had won the R40 in a nationwide essay competition run by one of the few large, national departmental stores of the time, John Orr’s. John McIntosh, my English teacher received an invitation from John Orr’s encouraging him to enter his pupils into their writing competition. The winning students would receive cash prizes, and so would the their schools. The theme was: ‘Ten Novel Ways to Attract Teenagers to Departmental Stores’.

 

I told John McIntosh that I’d love to have a go at it but that I’d never been into a departmental store. Back home, during holidays, I had walked past departmental stores, but I never had money and so did not bother even to go inside. He came up with an enterprising idea. Michael Guittard, with whom he was living and who taught us Geography and coached rugby, suggested that on our way to play rugby in Johannesburg, before one of the up-coming fixtures – generally on Saturdays during the season – we could quickly stop outside John Orr’s in the centre of the city, and I could run in and take a look around to get a feel of the store. I agreed enthusiastically.

 

One Saturday morning, on our way to play against Marist Brothers, Inanda, Michael Guittard kept his promise and parked the bus outside John Orr’s. He said: ‘You’ve got ten minutes, Dof’, and I ran inside. Those ten minutes or so were enough to give me a good idea of the concept. I wrote the essay. It was one of the ten winners. I won the R40 prize. R40! I was richer than I had ever been. I don’t recall how much Boys’ Town won. Father Orsmond wired the money to my mother when the school received it. Fortuitously, it was there to help me start my working career.

 

‘Clikety-clack … clikety-clack …’


I was sitting in the bar-cum-lounge of the train, which adjoined the dining car. It was just after that evening’s first dinner-sitting, about 7.30 pm. I was drinking my second beer, and, pen in hand, was scribbling in my black manuscript book, which contained all the poems I had written at Boys’ Town. I was writing down thoughts about my experience the night before with Pamela, Father Orsmond’s niece. I had been caught that night in Pamela’s room by her grandmother, Ma Orsmond, and had been promptly put on the first train home, after completing my very last final-year exam, Latin, earlier that morning. It was an expulsion of sorts. I was feeling melancholic and a little sad.

 

‘Clikety-clack … clikety-clack …’ I noticed a girl sitting alone a short distance away from me, closer to the bar. She was reading a book. But every now and then, when I looked in her direction, our eyes would catch. On one or two occasions, when I looked her way, she would smile at me. A quick, shy smile. I smiled shyly too. She had short brown hair, brown eyes and was waif-like and very pretty. Butterflies began to play havoc in my stomach, at first little tingles, and then, the more our eyes met, the more we exchanged smiles, an intense feeling. I felt waves of heat course through me, especially my cheeks. It was a delicious feeling.

It wasn’t too long before a steward approached me, asked if I would like another beer, and whispered: ‘The girl over there says you can join her if you’d like’.

 

Thoughts of Pamela faded as fast as the landscape moving by. ‘Clikety-clack … clikety-clack …’

The butterflies fluttered faster as I stood up, grabbed my book, and, bottle and glass in hand walked awkwardly the short distance to the girl’s table.

 

We introduced ourselves. She told me that she had been wondering what I was so busy writing down. Was I a student, she asked. I told her that I sometimes wrote poems. I did not tell her about Pamela. I told her I had just finished matric at Boys’ Town and was going home to Cape Town to live with my mother, and that I planned to get a job as soon as I could. I told her that, apart from my love of writing, I had no idea what I wanted to do, but had already decided to follow the advice of a career councilor at Boys’ Town and get a job in a bank. From there, I would decide.

 

She told me she was a final year student at the University of Stellenbosch, studying philosophy and political science. She was Afrikaans, but spoke fluent English. Her name was Lizette. She told me she was twenty-four. She asked if she could read a few of my poems, which she did. She also asked if I would like to have a brandy and coke. She bought me another brandy and coke. Soon, we were drinking doubles.

 

When we were politely asked to vacate the lounge at closing time, she invited me to join her in her compartment. She was travelling alone in a coupé, which slept three, unlike the six-bunker I was sharing with a few other men. She also had some brandy and coke in her coupe, she said … we could go there and continue our conversation. I followed her along the narrow aisle. A cold night wind was gusting through some of the open windows. We were passing through the Karoo. As the train hurtled on, and because the brandies were taking effect, from time to time I would cling to the rail on the passage side to keep my balance. She took my hand and drew me along with her to her coupé. Though a little pissed, I was nervous as hell.

We went in, she latched the door, and we sat down on the lower bunk. The middle bunk was folded up. Alone with me in the coupé, she was a bubble of laughter and fun. She poured us each a strong drink. We joked and talked excitedly.

 

‘You can kiss me if you like’, she said suddenly. By now I was trembling. I kissed her. And again. And again. Until we were caught in a stormy embrace, hands fondling each other feverishly. She asked if I had ever slept with a woman before. No, I said with embarrassment.

 

‘You’re eighteen and you haven’t slept with a girl before!’ She sounded astounded.

 

I briefly remembered Pamela. I told her that I, well, sort of touched a girl most places, but, well … had never had intercourse.

 

“Would you like to?’ She kissed me deeply. She was very kind. ‘Don’t worry,’ she said, ‘I’ll show you how.’

 

She undressed and revealed a beautiful, toned body. Her breasts were smallish, pert and beautiful. Then she put out the lights and undressed me. Gently, while whispering kind words and instructions in my ear – nibbling my ear and neck from time to time – she guided me into her. I exploded very quickly.

 

‘Clikety-clack … clickety-clack …’

 

We did it a few more times. She was incredibly understanding.

 

The next afternoon, Lizette got off the train at Paarl station, where she said her folks would be meeting her. We kissed, a little surreptitiously, I thought. When I offered to help carry her luggage, she declined and asked me not to come with her onto the station platform. We promised to stay in touch by letter and I gave her my mother’s address.

 

When I arrived in Cape Town I wasted no time looking for a job. I used R10 of the prize money my mother had been keeping for me to open an account, put down a deposit and buy myself new clothes. I walked for hours, cold-canvassing, knocking on doors of the banks in and around the Southern Suburbs of Cape Town, where I lived. I was usually turned away, or told to phone for an interview. The manager of the Standard Bank on Plumstead Main Road, however, was very polite and encouraging and made a formal appointment for us to meet in early January the following year.

 

We met. I landed a job as a junior clerk, earning R90 a month. I hated arithmetic, particularly math, but decided that I would work extra hard and apply myself. I had not cut my hair since leaving Boys’ Town, and from time to time the manager requested that I cut it. I always put it off with the excuse that I needed to wait for payday. Somehow, he let the matter be, or conveniently forgot to push it. All my friends had long hair. It was the sixties.

 

In the meantime, I kept in touch with Lizette. One day I received a letter from her, inviting me to spend a weekend with her in Stellenbosch. Not at her home, we could never do that, she wrote, but she could book us into a hotel and I could take a train there. She would treat me and pay for it all. She understood that I was still finding my feet, and how did I feel about the idea? I was ecstatic and replied, yes, yes, I would love to. On reading her letter I could hear her, smell her and feel her. I trembled all over.

 

‘Clikety-clack … clikety-clac k…’ I was on a Friday afternoon train to Stellenbosch, hardly able to contain my excitement. It was early March, and I was trying to remember every detail about Lizette. She was there to meet me in her own car. We kissed and embraced, and she drove us to The Royal Hotel in the centre of the town. I was carrying a small overnight bag with a razor, toothbrush, deodorant, after-shave and a change of clothing. She had pre-booked the room – it was on the second or third floor, I don’t remember exactly – and after signing in, we dropped our luggage in the room and went back down to a cozy bar for drinks before dinner. She was bright and refreshing, with a playful sense of humour. She was as kind and gentle as on the train. She showed genuine interest in me, my job, and my dreams. She encouraged me to keep on writing and told me that she loved the poems to her that I had included in nearly all of my many letters. She really liked me. And I her.

 

I could not wait for dinner to be over, to be alone with her. Whereas I was only thinking it, she had the maturity – and the courage – to say it aloud to me. ‘I can’t wait to be alone with you’, she told me. ‘I think I’m falling in love with you’, she added. I told her that I was feeling the same.

 

Back in her room she immediately jumped onto the double bed. Pirouetting like a ballerina, clasping her arms to her chest, she cried out loud: ‘We have a whole weekend together … two beautiful days, two beautiful nights alone …’

 

And then she began to undress slowly. First her blouse, then her bra … then suddenly she jumped from the bed and into my arms, her legs wrapped around my waist and hips, dangling above the floor as I held on to her tightly. We kissed feverishly, then she found her feet and, softly biting and kissing my neck, on both sides, took off my shirt, unbuckled my jeans, pulled them down … and we fell onto the bed and threw off our shoes and the rest of our clothes. This time she did not have to guide me. Well, not initially.

 

The lovemaking was exhilarating. She was not shy or as inhibited as I was, and encouraged me, talking gently to me from time to time, prompting me to explore her body as she did mine. Beneath me, astride me, with me also entering her from behind, as she had suggested, she coaxed me on and on to heights I had only dreamt of before.

 

And then there was a loud knocking at the front door, and, simultaneously, harsh pounding knocks on the glass veranda doors opposite.

 

‘Oh my God!’ she gasped, became frantic, and quickly put on the bedside lamp. I became limp. I iced up. I saw a terrified look on her face. She drew the sheet over her naked body. I panicked. I got up quickly and pulled on my jeans. The knocking became furious. I was confused. Which door to open first? I went to the front door, and unlocked it. An elderly policeman in full uniform barged into the room, knocking me aside, went straight to the veranda door and opened it, allowing another, much younger, policeman into the room. The younger man began swearing and throwing abuse at Lizette in Afrikaans, as she lay back, clutching the sheet up to her neck. She was trembling. The older policeman began swearing at me too, and I remember him distinctly calling me ‘… donderse takhaar en ‘n Kommunist’. Literally, a damn long-haired communist.

 

He slapped and shoved me around a little. He told me in a quiet, menacing voice to wait outside the room. From behind the closed door I could hear the continuous swearing and abuse; Lizette sobbing aloud. Then the door opened and the two of them appeared, dragging Lizette, by now fully dressed, along with them. They both warned me, stopping to push me against the passage wall, shouting at me in tandem, that I was never, ever to think about contacting Lizette; and that I must never, ever put a foot in Stellenbosch again. I was to get out of town by first light the next morning.

 

Which I duly did. After a sleepless, fitful night; hurt and hurting even more for Lizette.

 

On my way out of the hotel I asked directions to Stellenbosch station from the receptionist on duty, a white, Afrikaans, middle-aged woman. She tried to avoid my eyes, but gave me the directions. She was not very friendly. When I asked if there was any money owing, she said that my ‘companion’ had pre-paid the bill. I enquired about the policemen who had come that night, and why. She said that the elderly policeman was Lizette’s father, and station commander of the Stellenbosch police; the younger one was Lizette’s brother. There was a slight smirk on her face.

 

‘Clikety-clack … clikety-clack …’

 

Lizette had left me with a desperate longing, and an emptiness that would take quite a while to refill. I never heard from her or saw her again.

Thursday, 27 August 2009 07:52

Yes, please

I love it when you say: "YES".

Not just for the meaning of it, but for the love of the lyrical way

it leaves your lips. For your smile that carries the lilting sounds

on magical notes and chords in play



I love it when you say: "YES".

It gives me freedom to express

and DO

and permission to share

my feelings for you.



I love it when you say: "YES"

to the little things

shooting stars, not diamond rings

not majestic seas, but little springs

that refresh our lust for life





And sometimes, when you say: "NO"

I love it too

I look into your sapphire eyes

(I feel you warm to my fingertips

I feel you through your wanting lips)

and then I know

Your "NO" is often just a 'YES"

you're trying to disguise....
Wednesday, 15 July 2009 08:50

ZAMBIA

 

I climbed with great discomfort into the co-pilot’s seat of the little tin can four-seater Cessna, guided by Captain John Murphy who hopped into the pilot’s seat on my left, closed the door and enquired after my well-being. I explained that I had sustained an injury to my upper chest – probably a torn muscle, I suggested – in Jozi on the eve of my departure for Zambia.

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Friday, 12 June 2009 10:43

A poem from Banana Crates & Wire Mesh

Weather

I said to the waitress
after breakfast at the Nibbling Squirrel
that I was going home to write poetry
and goodbye and have a nice weekend

She looked outside
at the black sky
into the black south-easter
and said it’s perfect weather
for writing poetry

I thought to myself
it’s not the weather outside
it’s the storm building up
inside of me

Thursday, 28 May 2009 11:10

The Day Cape Town Burned

 

 

 

 

 

 

 

 

 

 

 Like most South Africans I was shattered when the news broke about the assassination of Chris Hani on Easter Saturday, April 10, 1993. It was a sad day for the country. There were jitters amongst many people, whites mostly, that civil war would or could ensue, especially since the assassin was believed to be a member of the extreme Afrikaner right wing organisation, the AWB.

On Monday morning, April 12, on my way to work, I bought a camera, a little Olympus, fully automatic; with a zoom lens. I planned to walk around during my lunch hour and take pictures of anything or anybody I found interesting.

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Thursday, 21 May 2009 07:30

Keep a lovebird in your heart

keep a lovebird in your heart,

but don’t cage it.

keep it

unlocked,

unbounded,

unconditional.

 

keep a lovebird in your heart,

but don’t smother it.

nest and nurture the small thing.

let it grow and it’ll bring

everything beyond your reckoning.

(rapturous joy, silent pain;

a binding ring, a broken chain?)

 

keep a lovebird in your heart,

but don’t hold tight.

let it free to find its wings,

leave it to its wanderings.



keep a lovebird in your heart.

but don’t tame it.

leave it wild

like an inner child…

Monday, 11 May 2009 09:09

The Evolution of Revolution



The Revolution is not dead! Long live the revolution of permanent evolution

of the souls and minds of man and woman. Earth's a hatchery, souls are bred

there ain't no dead, Fred, no matter what who said what. The revolution ain’t dead;

the revolution is alive with new life, new living, new breath, not death.

 

It's epitomized in the spirit and the power of the minds of the people;

moving in the streets in fluid jive to mesmerise the inner eyes of Truth.

It's epitomised in the tears and the spears of the souls of the people - fuck their colour- what colour's the soul, what kind's the mind? - where ALL the people will find the will to rise to realise the right to fight the new order: the monopolies, not the police;

the fat-cats and Corporate rats that bleed us with their greed and feed on our need

and if you don't believe it you're blind as a bat. You blind indeed that's that;

the only solution is economic revolution, and already we've planted the seed

 

We've fought the revolutions: industrial, political, religious and the racial

and written our freedom in blood.

Now the final solution is an economic revolution so the people can rise from the mud.

 

Thursday, 30 April 2009 10:16

Uganda - great place!

I returned from an assignment to Uganda a few weeks ago. It is the youngest, most vibrant spot outside of SA, especially the town of Jinja, on Lake Victoria and the source of the Nile. I could emigrate and live there very easily.

 

 

 

 

 

 

I stayed at the Nile River Explorers campsite in a tented boma overlooking the White Nile, as it hurtled north to Cairo and the Mediterranean. From where I chilled a lot of the time, in a thick cotton hammock, I could see the Bujagali Falls. There is a bar, restaurant in an open boma, with a wooden deck at the campsite.

 

 

 

 

 

 

I spent three days and nights there and met young adrenalin junkies from about 16 different countries. They come to Uganda – mostly to Jinja - to work as volunteers and to raft and kayak. The rapids are Class 5 (the best anywhere in the world). And, phew, can these youngsters party! I am not a water-baby so my adrenaline rush – apart from the parties – was a stunning horseback ride one morning along the banks of the Nile on a 19 hand bay thoroughbred, Geronimo. I cast my mind back to a night in Jinja at the 5 Star Nile Resort Hotel, where, through a contact I was invited for drinks with delegates from the Ugandan Tourist Board, following a conference held there. They persuaded me to stay for dinner, a fantastic spread beside the pool in the gardens of the hotel. A DJ was playing Ugandan reggae, mostly Bobby Wine, a local superstar.

 

 

 

 

 

 

 

 

On my way to the bathrooms, I passed four young guys dancing in a circle next to the DJ, and broke into a little reggae move. (I had heard earlier that in October 2008 UB40 held one of their biggest-ever-attended world concerts – in Kampala!). One young guy called out to me: “Hey, Mzungu (white man), come dance!” I happily joined the circle for a few numbers. We introduced each other. They were from Kampala, Uganda’s capital city (where I also stayed for two nights). Three of them were from the tourism delegation; the other is a Bugandan prince, Prince Waasaga, son of the present king (kabaka) of Buganda, the largest of the four kingdoms combined under the name Uganda by the British.

Thursday, 30 April 2009 10:08

A poem from a while back...

Measured against man

 

Measured against Time,

i am a split second

bred into a span

of years; measured against

 

God, i am a sperm

seeking womb of earth to

germinate, give root,

to hold to Time; measured

 

against the earth I

am a man as tall as

trees, wide as open

spaces are; bound by Time;

 

Measured against Man.

 


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